There are images that manage to stay tattooed on the human mind. Symbols because of its aesthetic power, have survived and preserved their power. Create a mystique around him capable of bringing masses, unifying ideology or even implement them. How is it possible that some strokes achieved have much impact on a human? There are cases where a few lines become icons, colors and compositions that make nations marking periods.
It's amazing how a single image does cross borders and is installed in the global consciousness. Convey a message without words. The mere presence of an image can be an entire speech.
What is really amazing is the value given to a symbol. The power leaving behind the character that created it. The images were created by a person, designed, and their origin might have a very different meaning they have today. One such case is as follows:
Gerald Holtom (1914-1985) British designer graduated from the Royal College of Art Nuclear War Resister.
Love and peace, hippie, the early 60's probably are words that come to mind when observing these lines protected by a circle. But the first time they were used did not seek world peace and free love, is manifested for Nuclear Disarmament.
I have to be honest, I never worried about who designed this icon. Designers were those friends and my current job which made me realize that credit for what has been done is very undervalued. In this consumerist world images are no exception. Where is the value of creation, creativity? In the best case, on a black background with white letters at the end of a movie or below a picture with tiny letters. Unfortunately many times the credit is zero. It is true that over time this has been changing, creative defense depends on the recognition for their work.
my attention was your maturity. Despite our youth, did you note, you were a step forward. This is your nature, I remember how I hit your aggressiveness and determination to achieve what you wanted.
remember your gaze on me, the schoolyard was witness to it. I could not concentrate and I made several mistakes, friends claimed the attention that you seized, but the goals were inevitable. The director's office and finally we made a trip to the beach ended what our eyes desired. Logged officially in my life, and a pair of glasses out. I remember our endless conversations on the stairs, we reached 10 and only we stayed. Were never uncomfortable silences, how they might be admiring your hair black if it was a delight, contrasting with the white skin that genetics you inherited.
At that time your skills as an actress is found at its summit, we set out to change, to look completely innocent, but on the sheets, the mask disappeared. I remember that red and black skirt, and that long with side slits, remember how I rewarded with the use of them.
you cultivate, ideologies came to mind to your heart. We share that vision, but in the end we were prey to our own ambitions, decided to leave the issue aside and continue. Action again and you become more enigmatic, played with my mind that Pavlov's dog. Your strategy worked and gave the function terminates.
Oaxaca is responsible for collecting, holding on to what they once felt. We were good trips, but at the apartment she shared, usurpation of property of others was a constant. How to forget your figure in those bathrooms, always envied the drops that ran your firm breasts.
The effect you had on me was relentless, I remember when I gave everything I had. I poured my whole being to you, your mouth took care of it. The words were coming out of it a dogma; your laughter the best complement your voice could find. What about your lips, plump and soft, I always thought his place was next to mine.
At the time of our lives I was a neurotic, but found the formula, calmed with a hug, then looked at me with that pair deleted hazel eyes ... and the world stopped. I could never figure out why your skin gave off the smell that intoxicated me, a scent characteristic of the Cubans, who in spite of your white skin possessed.
film and music, we scored we found more matches than ever. Maybe it was the solution we found to counter the distance between us. I came back to get, convert centimeters kilometers and through internet, ringtones, phone and art, we stand together. At each meeting we strive to keep you amazed, impossible not to do with your allies, the anarchists boots, a blue dress and one that evokes the rainbow, the final blow was carried out by your beautiful legs, those who have conquered entire cities.
Today, I turn to Victor Frankenstein, combine all this ever experienced separately. Make this collage in a single being.
Our radio project, historical, musical, begins a new stage. Using resources provided by web technology, we can spread golden pages of the collection "Disco Fall", supported by images, and with global coverage through the net. (Depending on your internet connection may be advisable to wait to download the entire file before playback, to avoid interruptions).
REPERTOIRE Chilean folk duo
Rey Silva plays the tune "At four in the morning."
The tune "At four o'clock", the composer Carlos Ulloa Diaz in duo interpretation Rey Silva draw a picture of the Chilean fields, with all the playfulness of a huaso Ladino, love, and resolute.
Esther Sore - "La Rosita Cachapoal."
Then the story of Carmen Rosa Chandía, since Cachapoal came to the Capital to work as a nanny, but .....
Four cueca Huasos and Cerro Santa Lucia. "
The whole "The Four Huasos" in a recording in 1941, interprets the cueca "Cerro Santa Lucia." A musical watercolor a typical scene of lovers walking through the gardens and trails of this picturesque and romantic scenery of Santiago, with a touch of the Chilean spirit "spoilers" and burlesque, which usually exceeds the jokes and banter with their peers.
reportorio MELODICA
Karina Pepe Carrera and his band - "numb and"
Karina, Ana María Gómez his real name, was a radio actress , Chilean film actress (starred in the movie "Confessions of Dawn" and "Llamp of Blood") and crooner outstanding year 50, making successful recordings accompanied by Pepe Carrera, Hammond organ, and all rhythmic. Listen boleros "numb and" and "Lost Love."
Carrera Enrique Balladares with Pepe and his band, - "Forgive me."
Enrique Balladares, a successful singer in the early 1950, and subsequently leading radio broadcaster and director of several radio stations in Santiago de Chile. During his time as a singer recorded nearly 40 songs accompanied by the orchestras of Peter Messiah, Don Roy, Federico Ojeda, Izidor Handler. But, first, made with all Pepe Carrera were exceptional, from which we publish here, "Forget" the Brazilian composer Ary Barroso.
Lucho Oliva and Melodic - "After an illusion, a deception."
An excellent interpretation of the emotional composition of Chilean Malbrán Armando Gonzalez, author of memorable pages as "Vanity", "Civilization", "Carnation withered," "A love that goes"
Ginette Acevedo - The Voice of Tenderness - sings "I will not be" full time in rock and twist Ginette Acevedo rose to fame playing beautiful folk songs from the South American repertoire. Pexoa unforgettable hits as Bridge, El Camba, Mother, When dawn comes, the Torcacita, gull, Poem 20, and many more, were part of a chain that originated in this song recorded in 1963: "I do not want to be."
Carmen Delia Dipini - Still
With his sweet expression, delicately feminine and sensual Carmen Delia Dipini interprets the bolero "Still" released in Chile in 1955. This Puerto Rican singer, was very successful in Central America but, unfortunately, in Chile did not deserve the publicity. His voice trailed off in 1998.
PEDRO VARGAS sings A MOTU Yaney
Pedro Vargas in a visit to Chile, in the mid 40's, recorded two songs by Chilean authors: "As the Aguita Fresh Donato Román Heitman and "A Motu Yaney" Lecaros Fernando Sanchez. He was accompanied by Sexteto Tertza-Schaff, that brightened the afternoons of the Tea Room "The Violin Gitano" of Santiago. Here "A Motu Yaney" Lecaros building, then director of the orchestra of Radio Pacific, who wrote several songs inspired by the Mapuche people.
Argentinos Great Sets the end of the 50
present a collage of four unforgettable songs with Los 5 Latinos, Los TNT, Los Santos and the Melody Trio. Sure, some of these songs, will bring more than a memory.
Mirellita Sanchez plays the song "Disco Fall"
On July 11, 1999 born, spontaneously, the "Club of Friends Disco Fall", a group of auditors, from that day, meets monthly to share friendship, joy, brotherhood, about music.
In one of these meetings appeared Mirellita Sanchez, who timidly offered to sing, and were immediately captivated everyone by her voice, her warmth, and his interpretation absolutely professional.
some time ago, at its own cost, Mirellita Sanchez recorded this song that gave us so that we used as a "theme song" program.
BIG BANDS INTERNATIONAL.
Tropical Serenade Orchestra - "Perfume de Gardenia."
instrumental music had its golden age in the decades 50 and 60. Large and various orchestras, each with its particular sound, had a large circulation in the radio at that time, and the houses lacked relevant Long Play discs. I invite you to listen and remember the Tropical Serenade Orchestra in this classic bolero entitled "Scent of Gardenia."
ORQUESTA TROPICAL SERENADE - MARIA LA O amazing view of the international acclaim achieved by the publication of "Perfume de Gardenia" as performed by the Orquesta Serenata Tropical, with more than 500 visitors worldwide, a month, we publish now "Maria la O". Here
Tropical Serenade Orchestra, with a delicate combination of strings, wind and percussion gives us an exquisite and captivating version of the melody composed by Ernesto Lecuona in 1930.
ROMANCE ORCHESTRA OF CUBA - GRIN AND CANDILEJAS
During the 60 and 70 were released numerous albums of the Orchestra Long Play "Romance of Cuba", which was based on sound stringed instruments, with a very large repertoire that included classical compositions of Latin songs as boleros, tangos, music and international issues as French, Italian, and film. Listen here two tunes composed by Charles Chaplin for his films "Modern Times" and "Limelight."
Franck Pourcel and his great orchestra, "Three Words". remember the sound of the orchestra for this great French musician, masterfully playing stringed instruments. Close your eyes, and go with this spectacular arrangement of Nat King Cole theme popularized in the early 60: "Three Words"
In "Disco Fall" initially were looking for recordings of early music, and suddenly find other recordings, curious perhaps, and ultimately collection are real gems.
Those present then bring us the memory of those distant days when the Radio was our fascinating entertainment.
Radio Program:
present here recordings of radio programs of various types: magazinescos, news, comedy, serials, shows, etc..
RADIOTANDA. preview of the comedy program created by Ricardo Montenegro, with the participation of Ana Gonzalez (La Desideria), Sergio Silva, William Rebolledo, Patricio Villanueva et al. "Radiotanda" was broadcast on Radio "Lifelong Cooperative", "Portals" and "Mining." This is a historic audio document, taken from the large archives of "Disco Fall"
WIND THAT COUNTS
Within its varied programming this radio drama aired Radio Portales particular style led by Christie Brands, which developed stories based on legends and traditions of our people.
Listen here the second part of this radio drama.
HOME SWEET HOME
Eduardo Calixto was a man of inexhaustible Radio, which carried out various programs, with "Home Sweet Home" his most remembered. Countless actors embodied various characters. However, during his long career, always been part of the cast, Marta Charlin, Nene Donoso, Elga Cristina and the same De Calixto. The program went through Radios O'Higgins, "The Pacific" and "Portals." Listen here a fragment of program audio document of great historical archives of "Disco Fall."
THE LOSS DOCTOR MORTIS.
Cabello Juan Marino, in his hometown of Punta Arenas, created this program Suspense and Terror. later moved to Santiago, broadcasting his radio program "President Balmaceda", "National", "The Pacific" and others, to great effect tuning.
Listen here the first part of the story "The Sculptor of the Devil." (The carrier does not allow video audio files longer than 10 minutes, therefore publish this story in installments: Part 1 and Part 2).
Listen here the second part of the story "The Sculptor of the Devil."
RADIO SHOW NIGHT OF MINING
Remember those unforgettable radio shows, which fascinated our youth nights, listening to an excerpt from a performance by Miguel Caló orchestra at Radio Mineria.
RADIO AGRICULTURE - RED LANTERN
The Golden Age of Radio Chilean Agriculture radiotelephony several significant broadcast a radio program. Good examples are "home theater", "The Third Ear", and others. Here is an excerpt from "The Red Lantern," with libretto and direction of Iván Romo.
The total duration of this radio play is 45 minutes.
RADIO CHILENA - FRONT PAGE
says an old adage: "A true friend is recognized in uncertain times." In those difficult days of our history, the Radio was a "true friend" Chileans, reporting events of national interest that other media did not broadcast. Listen here
the program aired on August 20, 1983.
Radio play NIEVES LOPEZ MARIN
In past decades almost all radio stations with various companies had a radio, favorite genre of an important segment of auditors. In that time we can remember Arturo Moya Grau, Eglantina South Luchita Boto, Max Enrique Miranda, Guillermo Earn Edwards, and many more. Listen here a Marin Lopez Nieves greeting his audience, and a fragment of "Idol."
HEARING THE VOICE OF FIVE NORMAL
At the time of AM radio programs were broadcast in Santiago engaged in certain districts of the capital. Just remember "The Voice of Providencia", "Maipú for Progress", "Puente Alto the day" and "Voice of Quinta Normal." The latter emphasized their property, in the rhythm of tango, which in days Sunday was heard in their entirety at the beginning and end of the broadcast. Here is the presentation and a fragment of the program, broadcast on Radio South America on Sunday, June 13, 1971.
Advertisements ENGRAVINGS:
Since the beginning of radio advertising became the source of funding for this activity.
So the listening public could know the benefits of new products and services, and decide on their purchase. But it also appeared interests that took the great drawing power and persuasion of the radio, so as to achieve its objectives selling "ointment."
Close your eyes and imagine in the past, listening to radio. Is over and start your favorite program, the commercial. Al respóndanos final .... who is telling the truth?:
Dear friends who have visited this site, have reported data on the recorded voices of these warnings: Food
Meyer - Estimated 1943. Adolfo Announcer Janquelevic. Fernando Alessandri - Presidential Campaign 1946. Unknown speaker. Libraries Musalem - December 1950. Speakers: Eleodoro Achondo another. Frei - Presidential Campaign 1958. Voices: Fernando James and another. Polla Chilena Charity - October 1960. Voices: Dario Moreno and Andres Aliaga. Gasco - (Jingle). - Year 1968. Speaker: Juan Carlos Gil. RECEIPT Sweepstakes - Estimated 1960. Unknown speaker. Battle for Production - Year 1971. Voices: Adriana Borguero and Jorge Melendez. Furniture Circle - Estimated 1963. Gmo speaker. Carter. Copper Nationalization - Year 1971. Voices: Fernando James and Max Cañellas. Traffic Safety - Estimated 1975. Speaker: Ricardo Neri.
The concept of "going outside office hours" Inheritance
TEXT: R2
I always swore to myself: "I never wear a suit to work" ... well, sometimes playing swallow the words ... and start with the pants and shirt. I recognize that a transition has not been as traumatic as expected, except for one detail, so desperate that I can hardly believe how many Mexicans spend something like the move.
finally joined the ranks of those who must take public transportation to get to my workplace, at the same time that thousands of citizens, I find myself with enough clichés and repetitive situations, which my relatives would "form the character, but I say "are psychopaths and serial-killers" (All of the following are real situations).
First, the bus stop, where many people, in suits and clothing like you, await the arrival of the bus, trolley, bus, whichever comes first (all arrive at the same place), the most common, it's minibus full ... very full. You get to get on as you can (and do not fly, I close the door, or push it or get off), is the collection, and the typical 4 cats that could not exchange or currency out of 10 pesos for 5 minutes they were sentadotes / paradotes at the stop, and obviously, the minibus will not start until everyone pays. From there comes a succession of stops on every corner, because everyone wants the micro is stand in the corner, will not get tired of walking a den, no sir. After several minutes in advance to a crawl, it's transport to a semi-base ("No base to the middle of the road" ... yes, and no), where it stopped for 1 / 2 high chisels waiting for the bus ... finally decided to start ... and oh, surprise! It becomes a stop just across the corner to go to all those who did not have the strength (or intelligence) to cross the street and avoid the series of claxonazos and mother insults involving braking unit ... always make sure that these same people, when they will be the first car to be angry when they touch the back of a micro similar situation, but I leave the track after half an hour ... traffic, ups and downs, a fat lady takes a minute to go to the unit, pay and makes stops two blocks later, take another minute to download (and then ask why is fat ... I can not think why) you finally arrive at your destination.
Second, the underground: here it is worth saying that yes, we are still discriminated against: while traveling metalera jeans and shirt, with my air kills, the review was always "safe" and spend the detector of "thieves" ... Now, I walk with my Bow Ties, ironed my dress and my hair "victim donkey "or come up to me ... do not know if offended ... if the meter does not stay stuck in the tunnel or is it light, or one of your passengers of the minibus was not introduced to the road, you finally arrive at your job, and I must admit: after this trip, I spend well in my work hours ... and when I go out, we go through the same thing ... so when I have to choose between an hour in traffic, or an hour at the bar, do you believe what you choose?
recall here those unforgettable voices on the radio yesterday. RAUL
MATAS
The "Master" of the Chilean speakers, creator of the legendary "Discomania."
Esteban Raúl Matas (August 13, 1921 to December 31, 2004). His sober, caring, educated him out from his younger days when he worked at Radio Cooperativa Lifetime, and Mining Corporation.
In 1946, as director of CB 114 Radio Corporation, Raúl Matas created "Discomania" space that he himself describes as a musical diary, to record events worldwide. Matas
Later became head of Radio Mining station where he "Discomania."
Raúl Matas In 1955 he emigrated to America to work in Radio WRUL New York, in 1959 he settled in Spain performing at Radio Madrid, and in the middle of the 60 annual cycles turned on Radio El Mundo, Belgrano and Splendid Buenos Aires, Argentina.
After his return to Chile made several television programs: "Post Data", "Let's See"
In recent years, Oasis FM Radio Santiago de Chile, made the "Memorable" and the micro "That was of ...".
Listen here a memory that Raúl Matas made its "Discomania."
(Audio provided by collector William Bedwell von Schroeder.)
RICARDO GARCIA The first Disc Jockey, Chile .
Raul Matas, creating its "Discomania" in 1946, Chile inaugurated a new radio format, when it was not yet coined the term Disc Jockey.
Matas In 1955 he emigrated to America, leaving the program by Ricardo Garcia, who became then in the first Disc Jockey.
gender was then followed by many speakers who have created their own programs, such as: Julio Gutierrez - The Jukebox - Radio Cooperativa Lifetime. Hugo Ortega - The Musical Ride - Radio Pacific. Antonio Contreras - The Fono Club - Radio Chilena. Max Cañellas - The two sides of the disc - Radio Carrera. Gaston Binout - New Wave - Southern Cross Radio. Mauricio Alvarez - Wins Music - Radio Bulnes. Cesar Antonio Santis - Songs under the stars - Radio Corporation.
(Ricardo Garcia died on June 2, 1990.)
Listen Here an excerpt from "Discomania" with Ricardo Garcia.
Humberto Lozano
Featured Chilean singer, performed countless successful recordings with the orchestras of Federico Ojeda, Arturo Ravello, Jackie Kohan. Then, as soloist with the Orchestra Huambaly achieved memorable success.
The October 20, 2002, Humberto Lozano was interviewed on "Disco Fall" then broadcast on Radio Land, Santiago de Chile.
Here is an excerpt from that interview, as a tribute to his memory and in recognition of the contribution he made to the music of our country, and the valuable collection of your art for the benefit of Chileans. (Humberto Lozan died on October 31, 2006).
HERNANDEZ LUIS PARKER.
Luis Hernandez Parker, political commentator number 1 from Chile, and director of "Tribuna Libre" of the SNA., Together with his colleague Lenka Franulic, scored a new victory to his credit with extraordinary transfers made directly from the Casino de Viña del Mar, by waves Radio National Society of Agriculture, the Radical Party Convention held recently in the garden city.
(Radiomanía Magazine - July 1949).
From late 1940 to 1975 Luis Hernandez Parker conveyed its "political grandstanding" by Radio Agriculture Corporation, Mining, Cooperative and Portales, one respected voice in the matter. Listen
an emotional comment here broadcast by Radio Cooperativa the April 30, 1963, during the shooting of "Nahueltoro Jackal."
(Audio provided by collector William Bedwell von Schroeder.)
CABELLO JUAN MARINO
Creator legendary "El Siniestro Dr. Mortis" and also "The Disc Jockey of Remembrance," among others. From 17 to 87 years and was permanently linked to the Radio.
The March 24, 2002 Don Juan Marino was interviewed by the Disco Fall program, then broadcast on Radio South America, Santiago de Chile. (Here is an excerpt, the complete recording of this interview, historical document, has a duration of 45 minutes).
EDUARDO DE CALIXTO
Eduardo Calixto, a man of exceptional radio, operator indefatigable.
His beginnings were in 1940 in the "Radio Home," which later became Radio "Cervantes" where the ads would read "La Hora Arab."
The August 31, 1943, in the former Radio O'Higgins, launched the "marital little scenes, the characters involved in Menares Celedonio (Eduardo Calixto) and Sinforosa (Marta Charlin).
Later the program moved to Radio Pacific under the name of "Home Sweet Home." The cast was expanded with characters as the maid, the mother of Sinforosa Celedonio's uncle, the master bangs his wife Betty la Pela, Raca, Miss Lucy, and other characters that were happening at the time.
First cast of "Home Sweet Home": Marta Charlín, Eduardo Calixto, Elena Puelma, Lucho del Real and Marta Pizarro. (Ecran Magazine - July 17, 1945).
Since 1960 the program was broadcast on Radio Portales de Santiago.
"Home Sweet Home" was part of a larger program called "Air Carousel," which also included sections "The news and commentary", "Soñar no cuesta nada" and "Lost Letters." In this aspect of his left Calixto humor to make way for the romantic vein of fine and delicate creation.
Also, in the 40's, Eduardo Calixto created the "Splashes of News", which included the sections "The mischief of copuchar, the college" (initially with humor Tato Cifuentes), " Prints of life "and" What have the songs. "
During his tenure at Pacific Radio, De Calixto developed game shows like "Who is right" and "to burn your fingers", and the days Sunday morning led and encouraged "Sunday School copuchar the college ".
programs Among the most memorable of Calixto is "Home Sweet Home" which recreated scenes from everyday life of any family home, with its joys, stories, challenges and common threads, where the characters made mention advertising as part of their discussions, comments on real life events, current events as an earthquake, or radio tuned to give way to a sudden news flash.
preview of the program under "Those days of Radio."
EMILIO GAETE BAHR
Emilio Gaete (April 27, 1913 to August 16, 2009) was a prominent Chilean actor of stage, radio, film and television. Unforgettable were the serials made with Mirella Latorre, his role as mayor of La Pergola de las Flores "in the theater, and his role in" Juani in society "on television. In film participated in several films: The Keys of the Kingdom, Cape Horn, long journey, the bureaucrat Gonzalez.
In 2002 Emilio Gaete was interviewed by the "Disco Fall", then broadcast on Radio South America, Santiago de Chile. (Here is an excerpt, the entire recording lasts 40 min.)
RENATO DEFORMES
Announcer and director of several stations in the capital . Creator of legendary game show "The Double or Nothing."
JORGE Boudon
Boudon Jorge Vergara was a prominent Chilean comedian, actor, radio, film and television.
acted in several works Theatre Company Experimental University of Chile, as well as several Chilean cinema films. Participated in numerous TV shows, plus commercials.
in radio created successful programs as "The Musical Farándula on Radio Yungay," In Search of Success "on Radio Pacific," Reminiscences "in Radio Panamericana. Jorge
Boudon, a man of cheerful spirit, he developed a personal style, always delivering a message of optimism and healthy humor, within a framework of respect and elegance.
His radio programs were part of the golden age of the radiotelephony Chilean magazinescos, humor, music and competitions, performed live from the auditorium of the stations. Jorge
Boudon died June 1, 2007.
(In 2003, the "Disco Fall" conducted an interview with Don Jorge Boudon, live, during the airing. Unfortunately, the recording is spoiled).
Jorge Boudon and his company of "La Farandole Musical" Radio Yungay, composed by Hector Santelices, Alicia Lopez and Romilio Romo.
(Radiomanía Magazine - Abril 1962)
GRANDES FIGURAS DEL MICROFONO
En su espacio "De locutor a locutor", Iván Silva (detrás del micrófono) conversa con el cantante Arturo Millán (de la orquesta de Isidor Handler), mientras Petronio Romo lo mira severamente y Sergio Silva, (a la derecha), se hace el romántico .
(Revista Ecran - November 2, 1948)
GREAT FIGURES of the radio
Lorenz Young, crooner and actor Mendoza, Eliana Mayerholz, actress, wife of Mario Arancibia, announcer Radio "La Reina", Ernesto Urra, the multi-actor (Professor Topaze) and Jorge Quevedo, one of the stars of stage, won by Radio Mining for the "That life is Lord." (Wave Magazine - January 1951).
Since 1962, Lorenz Young was in a permanent, distinctive voice Radio El Conquistador FM., station that spend their spots are still recorded, after his death on 03 December 2010.
usually to hear that word you think of material goods, but there are legacies behavior that remain etched in the psyche.
People around us are the ones we inherit, but also leave us some situations scarred for life. Clearly our parents are those that teach our current behaviors and trauma.
The legacies we leave the friends are often the most appreciated or hated. Not being able to throw a cigarette butt on the floor, can be extremely annoying in a city that has no trash cans, but can not be changed, which at some point it was natural is important now, why? Because this behavior was inherited , was borrowed from a friend. Now, every time that is not where to throw a cigarette butt will be remembered with hatred and a smile on that person who inherited .
The above example shows a behavior that in theory all smokers should do, but not all inheritance are so positive. Starts asking for a smoke, then of the "I'll turn on you", to finish buying a pack of their own. The cigarette is out, although that person is in another hemisphere. It may have been brought up to be quite a gentleman or an entire lady but certain circumstances can break it. Claims for such attitudes, abuse by the other gender, or even access to higher educational attainment.
These legacies we adopt, at some point could be unthinkable in our behavior. Musical tastes, vices, hatreds, passions and traumas have been passed to us like it or not, have tattooed on our minds, in our daily lives and therefore hate or love that person forever we inherited.
Esteban Raúl Matas (August 13, 1921 to December 31, 2004). His sober, caring, educated him out from his younger days when he worked at Radio Cooperativa Lifetime, and Mining Corporation. 
